A
Review:
Saturday 22nd
November 2003
ALEISTER CROWLEY & THE GOLDEN DAWN
It is upon a dark,
wet November night that the occult and literary minds of London
converge upon a deserted Chancery Lane. We stand, huddled under our
umbrellas, outside numbers 67-69, an address we are soon told was
once the home of none other than the notorious Aleister Crowley
himself, and later also to Allan Bennett, a fellow member of the
Golden Dawn. It is claimed the building once housed two temples, one
light, one dark, where Crowley and his cohorts would perform
mysterious magickal rites. The property has reportedly been subject
to supernatural phenomena since Crowley's day, when a violent
poltergeist ransacked the apartment, and it is fitting that the
Order's own Lesser Banishing Ritual of the Pentagram should be
performed outside by Treadwell's Allison Brice in order to cleanse
the area - as well as those amassed.
Suitably unnerved,
we leave Chancery Lane and proceed towards The Plough public house in
Museum Street. A popular hang out of London's bohemians, its
flesh-pink exterior earned it the nickname, "The Baby's Bum"; a
plaque on the wall dates it at 1855. The street itself is fairly
significant, having once been home to Mandrake Press, the publishers
of Crowley's 'Confessions' and some of his fictional work, as well as
the home of esoteric bookshop Atlantis, which was, at one time,
frequented by the man himself and remains one of London's most
renowned occult stores.
We follow our
guide, Mark Pilkington - or rather the (thankfully) plastic frog
impaled upon a cane, which we are told represents the amphibian
crucified by Crowley in his youth - to the considerably more imposing
Freemasons' Hall in Great Queen Street. A towering white building, it
houses a museum and a library, home of the complete run of Crowley's
Equinox. It was also the site of Crowley's Masonic initiation on 18
November 1898. It begins to feel as though the entire City hides
elements of Crowley himself, over-looked by the unwitting public who
bustle through and inadvertently find themselves following the wrong
black umbrella as they finish their Christmas shopping for the day
and head for nearby Leicester Square tube station.
A book shop, hidden
away down a side street between Covent Garden and the Charing Cross
Road, is the site of an infamous tale in which Crowley was challenged
to demonstrate the power and authenticity of his magickal skill. The
shop's owner was asked to close his eyes briefly, only to find upon
reopening them that his entire stock had vanished. Within the blink
of an eye everything had returned to its rightful place on the
shelves…
We are led on
deeper into Soho - the persistent rain by now thoroughly soaking any
without the foresight to arm themselves with an umbrella - and pause
again at a pub known as The Swiss, where it is said that Crowley
first encountered Welsh poet Dylan Thomas, scribbling frantically in
a note book. Crowley allegedly produced a note book of his own and
moments later was seen skulking from the premises, having tossed a
ball of paper at Thomas as he passed. Upon inspection, the page was
revealed to be scrawled with verse identical to that which Thomas had
himself been writing.
Aside from the more
eerie tales of Crowley's exploits, the Café Royal at
Piccadilly Circus brings with it some levity. Here, tales of 'The
Beast' and his eccentric behaviour (striding in wearing full evening
attire and a large bronze butterfly over his crotch, which had been
stolen from its place censoring a nude statue of Oscar Wilde in
Paris; or striding through wearing an outlandish hat and cloak
decorated with occult symbols, which he believed would make him
invisible) raise an array of grins, smirks and tickled laughter from
our forty-strong group.
We continue across
the heavily lit junction at Piccadilly - a shock after the narrow
streets of Soho - toward Jermyn Street, Crowley's last London
residence. After more than two hours in the dark, wet weather it is
surprising how high the spirits of the group remain. The warmth of
the Goat public house is fully appreciated, however, as we settle
down with our choice tipples to discuss the tour, the arts and, as we
grow more relaxed - and perhaps slightly more intoxicated - the
prospect of Occult Speed-Dating. The atmosphere is jovial and
friendly, with intelligent conversation and good company shared by
all. It is a perfect way to round off a fascinating, illuminating
tour, and with the second portion still to be taken it seems that the
legacy of the infamous Aleister Crowley has more in store for us
yet.
Alfirin
Kirinki
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